作品以色彩在畫面裡緩慢流動，彼此滲透、交會，卻不相互覆蓋。青藍與墨色如水氣般鋪展，光影在其中浮現，讓整個畫面形成一個安靜運行的場域。中央的圓點與細小色塊，如同節拍，也像行走中的標記，使流動之中仍保有內在的秩序。

在繪畫形式上，作品可與西方的抒情抽象產生對話：同樣重視色彩的流向與畫面的節奏，但少了情緒的張力與對抗。這裡的筆觸更像呼吸，而非宣告，關注的是差異如何彼此讓位，而非彼此衝突。

所謂「和」，不是消除不同，而是在不同之中達成共在；「境」也不是界線，而是一種可以讓心停靠的空間。當觀者停下腳步，會在層層色彩與微光之間，感受到一種溫和而穩定的平衡。

In this Artwork, color flows with slow deliberation, seeping and converging across the surface without overlap. Blues and ink tones spread like mist, while light emerges to form a quietly functioning field. The central circles and color blocks act as rhythmic markers, ensuring an inner sense of order remains within the fluid movement.

Formally, the work engages in a dialogue with Western lyrical abstraction. It emphasizes the movement of color and the rhythm of the surface, yet eschews the tension often found in emotional expression; here, the brushwork resembles breathing rather than a declaration, focusing on how differences yield to one another rather than collide.

The“Harmony”here is not the erasure of difference, but coexistence. The“Field”is not a boundary, but a meditative space. As viewers pause before the work, they may sense a gentle and steady balance unfolding between layered colors and subtle light.