畫面中的山巒隱現於層層雲霧之間，雲氣不為造勢而來，也不為遮蔽而聚，而是如陶淵明筆下所言——雲無心以出岫，順勢而生，隨山而行。霧在峰間緩緩舒展，使山不顯峻峭，反而多了一分溫潤與從容。

水色沿著山腳低迴，與雲霧相應，彷彿為這片天地譜出一段無聲的清音。這聲音不在耳中，而在心裡：是風過林間的輕響，是水行石畔的回應，也是萬物各得其所的安然狀態。

《雲岫清音》所描繪的，正是一種不被意志驅使的和諧——當人心暫時放下紛擾，便能在這片山雲之中，聽見自然最清澈、也最長久的回聲。

The mountains emerge and recede amid drifting mist, moving in quiet accord with the land itself—echoing Tao Yuan-Ming’s poetic vision that“clouds drift from the hills without intent” They unfold gently between the ridgelines, softening the peaks and lending the scene a sense of ease and natural grace.

Below, water winds calmly along the mountain’s edge, responding to the movement of the mist as though composing a silent melody for the landscape. This“pure resonance”is not something heard, but something felt: the whisper of wind through trees, the answering flow of water over stone, and the harmony of all things resting in their proper place. It reveals a state of being unforced and serene—inviting the viewer to set aside worldly concerns and, within this realm of mountains and clouds, listen to the clearest and most enduring echo of nature.