該作品並未描繪一個具體可指的山水場景，而是呈現天地萬象安放於霧氣與留白之中的一種狀態。山形若隱若現，雲氣緩緩流動，形體並未完全確立，卻自有其存在的位置與秩序。畫面中沒有喧囂的氣勢，也沒有強烈的指向，而是一種經歷時間沉澱後的從容與穩定。

「安然」並非靜止，而是萬物各得其所的平衡；「天地」亦不對立，而是在相互涵養之中自然生成。巫大師透過內斂的筆墨與大量留白，讓觀看成為一種慢下來的過程，引導觀者在靜默中感受天地的寬廣與內在的安定。這不只是山水之景，更是一種心境的映照。

This artwork does not seek to depict a literal landscape; instead, it captures a primordial state where the myriad forms of existence are gently cradled within drifting mists and profound expanses of emptiness. Mountain forms appear and recede as clouds glide in slow silence. While their shapes are never fully fixed, each occupies its own rightful place in the cosmic order. Eschewing grand spectacle or forceful direction, the painting exudes a composed tranquility—a steadiness refined by the quiet passage of time.

“Serenity” here is not mere stillness, but a vital balance where all things find their true home. “Heaven and earth” are not set in opposition, but emerge naturally through mutual nurturing. Through restrained brushwork and a masterful use of negative space, Master Wu invites the viewer into a meditative journey—a slowing of the soul to sense the boundless vastness of the universe and an inner state of calm. This is more than a depiction of nature; it is a luminous reflection of the mind.