The Essence of Shan Shui

Chinese landscape painting is the quintessence of traditional Chinese culture, rich in atmosphere and profound philosophical connotations. Wu Deng-yi’s, a prominent contemporary color ink painter from Taiwan, has devoted nearly six decades to crafting Chinese ink paintings. By blending his encyclopedic knowledge of traditional Chinese and modern Western art, he ingeniously merges the old and new, seamlessly blending Eastern and Western influences. Through extensive exploration of contemporary color ink techniques, Wu Deng-yi’s establishes a groundbreaking “Imaginary Color Ink Landscape” style, infusing traditional Chinese art with a fresh and innovative vibrancy.

Our present, while adorned with a different appearance, seems to rhyme with our past. In 1872, the Canadian missionary, Dr. George Leslie Mackay, landed in Tamsui to preach Christianity. In 1875, he began designing one of the two adjacent bungalows known as the “Missionary House.” This building has left an indelible mark on Tamsui over the past one hundred and fifty years. Despite experiencing colonization under different authorities, Tamsui undoubtedly stands out as the best place to outline the historical contour of Taiwan and showcase the diversity of Taiwanese culture. Today, the Taiwan Wu Dengyi Art Museum stands on the site of Dr. Mackay’s former “Missionary House.” We have embarked on renovating it to serve as our art gallery. Wu Deng-yi’s artistic publications and achievements are set to write a brand new chapter for this historical building.

Shanshui, in the minds of artists, embodies the essence of art. In this exhibition, we will showcase a series of Wu Deng-yi’s Contemporary Color Ink Shanshui paintings created between 2021 and 2022. Despite the COVID-19 outbreak and the subsequent lockdowns and restricted entry policies that have kept people apart, the inspiration drawn from Shanshui remains unblocked and continues to fuel their artistic creations. Wu Deng-yi considers himself fortunate to have crossed paths with the renowned Chinese painting master, Zhang Daqian, whose influence has been significant. Drawing inspiration from two Song Dynasty Chinese painters, Li Tang and Ma Yuan, Wu embarked on extensive travels to collect real-world scenes that inspired his personal landscapes. His passion for Chinese landscape paintings allows him to effortlessly blend oriental philosophy with Western art concepts. The exhibition reflects Wu Deng-yi’s skillful use of brush, ink, and water, which results in a harmonious interplay of texture, brushstrokes, and colors. This achievement is the product of countless nights spent exploring his inner principles and dedicating hard work to his craft.

“The Essence of Shan Shui” is Wu’s solo exhibition and marks the grand opening of the Taiwan Wu Dengyi Art Museum. This captivating exhibition will feature more than six of Wu’s remarkable artworks. Within these pieces, the five colors—red, orange, blue, green, and purple—emerge as pure and mysterious, imbuing the paintings with an enigmatic allure. The seamless fusion of colors and ink creates visuals that evoke the ethereal formations of clouds or the graceful flow of Qi amidst mountains and water. Upon closer examination, one can discern that everything in this world resembles tiny dust particles, possessing the potential to transcend into parallel universes. The captivating interplay of ink and color artfully transports viewers on a journey between the tangible physical realm and the depths of the subconscious, eliciting a profound and introspective experience.

Touring Exhibition Location

Wu Dengyi Art Museum

展覽作品

千華

2021年

66 X 66cm

作品媒材:複合媒材紙本

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尋找美好風景的道路不總是一帆風順,那擋住去路的風景也許正是心中「桃花源」啊!

畫作將人事物提煉到一個具有戲劇效果的情境中,遠處峻峭的高峯和近處的小船抵岸形成虛實對照,加上其他景物元素和色彩所營造出的豐富暗示,讓人浮想聯翩,充滿浪漫主義表現風格。

Seeing Strangely Shaped Rocks From the Boat

2022 年

66.8 X 65.8cm

作品媒材:彩墨紙本

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畫面呈現多種元素構圖精緻的青綠山水,畫者似乎在邀請觀畫者,進入小舟上之人的視角,去發現這陡然跳出的奇岩,獨特的皴法運用,造就奇岩表面紋理經典而有衝擊力,同青綠色相互覆蓋和諧共生。

活水梵天

2022 年

67.3 X 66.5cm

作品媒材:複合媒材紙本

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整體色調非常獨特,近山和遠山運用完全不同的畫法,一條無盡頭的河流化爲瀑布傾下,升騰雲霧,如戲劇般創造出色彩與造景的合一,如佛教之天界降活水到人間。

雲岫清華

2022 年

66.7 X 66.7cm

作品媒材:彩墨紙本

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晉、陶潛《歸去來辭》:
「雲無心以出岫,鳥倦飛而知還」
以秀麗雲霧繞繞之峰巒、興思鄉孺慕之情,
以境寫景、以景入畫、以畫書心

登益先生以墨色峰巒、蜿蜒千里、壑山行旅,在近、中、遠區分別設色土棕、紫白、藍青、以深行遠和層次,實乃巫先生經典巨作。